Friday, April 12, 2013

Secret Twitter Film Club



Secret twitter film club (STFC) is a game of shared stimulus and strategic ambiguity.

It is inspired by Secret Book Club, a club wherein friends all read the same book at the same time, but are forbidden from discussing it directly. Ideally, one would more easily see how one’s reading bled into their conversation and writing, without direct commentary.

It is a project in the spirit of @Timescanner’s invocation, “Hey everyone, let’s have experiences together,” and a rumination on the cryptic transparency of digital youth, progentitors of the subtweet. Other influences include the great tradition of jokes under communism, campus games of "Assassin," and the secret handshakes of Freemasonry.

Most importantly, Secret Twitter Film Club is secret.


RULES

  • You are not to publicly reveal that you are taking part in Secret Twitter Film Club, nor when it is occurring. (STFC CAN HAPPEN AT ANY MOMENT. BE ON THE WATCH.)

  • You will be sent a message with the name of the film, the time it is to occur, and the other participants. Times will be selected with a bias to North America. (If this seems impossible for you, feel free to start your own game of Secret Twitter Film Club).

  • Perhaps obviously, you cannot give the name of the film you are watching, nor its particularly iconic lines/characters. Try and focus on elements and pieces that are of general interest, but have hidden meanings for fellow watchers.
  • You cannot publicly reveal who *else* is in on Secret Twitter Film Club. (If you make a list of other players, for god’s sake keep it secret.) Winks, nods, and coded phrasetalk are perfectly okay presuming you do not blow each others’ covers with your sudden thick-as-thieves-ness.

  • If one of your followers figures out that you’re playing Secret Twitter Film Club, you are “wounded” and must continue by appending the hashtag #SecTFC to your (hopefully cryptic) tweets. At this stage, the secret is what film it is.

  • If one of your followers figures out what film you’re watching, the jig is up, at least for you and the other wounded. You may continue watching the film, though, and feel free to comment using the hashtag #OvTFC (for “overt twitter film club”)

If you want to play Secret Twitter Film Club, send an email to instigation [at] SplendidVagabond {dot} info that includes your twitter handle, interest in the game, and film preferences.


BONUS PARANOID VARIANT: If I get a sufficiently large body of players, I will split them into teams watching different, but thematically linked films. You will only know the players on your team. Extra points will be given to those who root out other teams' players.

Thursday, March 14, 2013

Mark Twain's Focus Group

You think that copy-testing and market research started in the 1930s and 40s with the popularization of survey research after Gallup and Roper's triumph in predicting the 1934 election.

YOU'D LIKE TO THINK THAT.

Actually, like all other aspects of modern American life, from long-distance relationships to fantasy stock-picking, it was actually envisioned by Mark Twain:

"Whenever I am about to publish a book, I feel an impatient desire to know what kind of a book it is. Of course I can find this out only by waiting until the critics shall have printed their reviews. I do know, beforehand, what the verdict of the general public will be, because I have a sure and simple method of ascertaining that. Which is this—if you care to know. I always read the manuscript to a private group of friends, composed as follows:
1. Man and woman with no sense of humor.
2. Man and woman with medium sense of humor.
3. Man and woman with prodigious sense of humor.
4. An intensely practical person.
5. A sentimental person.
6. Person who must have a moral in, and a purpose.
7. Hypercritical person—natural flaw-picker and fault-finder.
8. Enthusiast—person who enjoys anything and everything, almost.
9. Person who watches the others, and applauds or condemns with the majority.
10. Half a dozen bright young girls and boys, unclassified.
11. Person who relishes slang and familiar flippancy.
12. Person who detests them.
13. Person of evenly-balanced judicial mind.
14. Man who always goes to sleep.

These people accurately represent the general public. Their verdict is the sure forecast of the verdict of the general public. There is not a person among them whose opinion is not valuable to me; but the man whom I most depend upon—the man whom I watch with the deepest solicitude—the man who does most toward deciding me as to whether I shall publish the book or burn it, is the man who always goes to sleep. If he drops off within fifteen minutes, I burn the book; if he keeps awake three-quarters of an hour, I publish—and I publish with the greatest confidence, too. For the intent of my works is to entertain; and by making this man comfortable on a sofa and timing him, I can tell within a shade or two what degree of success I am going to achieve. His verdict has burned several books for me—five, to be accurate."
For more information, check out Who is Mark Twain?

Monday, February 25, 2013

Dispatch: The All-Worlds Fair

>>\\ BEGIN STELLAR TELEX DISPATCH \\


From the All Worlds Fair
February 22nd-23rd, 02013
San Francisco, California, Earth-Prime

If you are friends with me on various social networks, you may have seen some odd posts from me in the past month or two related to the sea, or dream analysis. Or you may have puzzled over how I joined Pinterest, particularly since I was collecting photos of submarine interiors, watery dreamscapes, and vintage meridian-crossing ceremonies. Well, it all came to a head last weekend.

The All-Worlds Fair was conceived of by gentleman artist, raconteur, and high-concept roustabout Chicken John Rinaldi, a two-night-only event taking the overwhelming wonder of the old World Expos and extending the exhibitor list to all the worlds that could have existed, across all time and space. And what better place to stage it in than the historic Old Mint building? Blessed with a unique combination of steel vaults, exposed brick walls, and grand ballrooms, it was an armature you could build a rich event on. I was a crew member with the Seas of the Subconscious, in which there was nautical derring-do, half-lucid logic, and dream cartography. (More on that later.)

Wednesday, December 12, 2012

Once again, a published author (somehow).

The infamous Stasi smell-jars.
I'm very pleased to announce that I have a piece coming out in Volume III of THE STATE, due to be released on the 12th of December, 2012 at the Kochi-Muziris Biennale in Kochi, India. Each issue has a different theme, and this issue is all about "the Social Olfactory;" 

My piece is called "Under the Iron Snout: A First Take on Olfactory Imperialism," and I promise it will include "Drug-sniffing dogs, fermented fish and mosquito repellent in Vietnam, the Stasi’s smell archives, People Sniffing, and strategies to survive smellveillance."

Investigate! Buy a copy! Tell your local artsy/intellectual/radical bookstore to start carrying THE STATE.